Author: Daniel Vasquez

The 2012-2013 season at the Minnesota Opera marks the 50^th anniversary of the company, and it opened last September with five performances of Verdi’s Nabucco, which played to packed houses throughout its run. In many ways, the quality of this presentation signaled how far this company has come: From its fringe beginnings to its current standing as one of the most important operatic destinations in the United States.…

Atlanta is no stranger to Mozart’s great opera, Don Giovanni. The work was brought to the city seven times by the Metropolitan Opera Tour between 1954 and 1978, the impressive list of heavy hitters back then included George London, Cesare Siepi, Eleanor Steber, Leontyne Price, Nicolai Gedda, and Lisa Della Casa, just to mention a few.…

Closing the 2011-12 season, Mozart’s Don Giovanni returns to the Atlanta Opera at the end of April. As we look forward to these performances, a brief overview may be helpful for those unfamiliar…

The opera’s overture opens with a sinister andante statement that will be heard later on during the climatic apparition scene in the second act finale.…

There is no doubt in my mind that Eve Queler loves Wagner’s opera, Rienzi. Watching her receive a well deserved ovation as she ascended the podium on January 29th to lead the forces of the Opera Orchestra of New York, it struck me that this was the conductor’s fourth open case for this Wagnerian rarity, making her an unofficial champion of a piece that even Wagner himself turned his back against after he established his career. …

Donizetti’s Lucia di Lammermoor was thunderously received on its opening night performance this past Saturday, November 12, and there is a lot to report. Under the direction of Tomer Zvulun, the opera has been updated to a time period when the men are constantly wearing military jackets, red sashes, and a blonde Lucia wears pink hoop dresses.…

Mad, mad Lucy

“Donizetti’s music is just trash and should be avoided. Every educated person knows this.” And thus began a heated argument between myself and an all-too-proper music major at the University of Georgia’s Music Library back in the late 90s; an incident which led to my being banned of this venerable facility for a full semester due to my animated, banshee-like defense of Italian music in the middle of the listening center.…

Opera is partly a sport of prestige, and to the untrained eye the line up of Opera Carolina’s production of Verdi’s “Il trovatore” promised much: An Italian tenor coming to international attention following a well publicized scandal, an up and coming soprano gathering exciting reviews for her Verdi roles, and a superstar mezzo-soprano of international caliber who has sung for dignitaries of state all over the globe.…

Fresh from our recent trip to Salt Lake City, we are on the road again, and this time to Charlotte, North Carolina for Opera Carolina’s presentation of Verdi’s Il Trovatore. The southern company’s high profile line up, which includes the renowned mezzo-soprano Denyce Graves in the role of Azucena, is enough to get newoutpost to fill up the gas tank and embark in a good old pilgrimage.…

Beethoven’s Fidelio opened the 2011-12 season at Utah Opera last week on Saturday 8^th, and newoutpost was present at the occasion as well as the second performance which took place on Monday 10^th. We are happy to report that the performances receive high marks due to the efforts of an altogether great cast, though the visual direction of these presentations proved a little suspect.…

This Saturday October 8^th, the Utah Opera company unveils its 33^rd season with Beethoven’s one and only opera Fidelio. This unique work, a cornerstone in both Beethoven’s canon and Western music, is sufficient draw to make your friends at newoutpost.com…