Author: Daniel Vasquez

This Saturday October 8^th, the Utah Opera company unveils its 33^rd season with Beethoven’s one and only opera Fidelio. This unique work, a cornerstone in both Beethoven’s canon and Western music, is sufficient draw to make your friends at newoutpost.com…

On September 9^th, the Washington Concert Opera opened its 2011-2012 season with a triumphant performance of Verdi’s early masterpiece: Attila, held at the Lisner Auditorium at the campus of George Washington University. Alongside other concert opera companies such as Opera Orchestra of New York and Teatro Grattacielo, the Washington Concert Opera company serves our esteemed art form by reminding operagoers that there is much to relish in the old school traditions that are quickly fading in today’s opera scene: Opera is expression though music, not gimmicks, and a quote from the company’s website, is testament to both their mission as well as serving unintended commentary of the strange times we find ourselves in today: “There are no sets, costumes or (usually) props to distract the eye….and…

This September, Newoutpost covers Washington Concert Opera’s presentation of Verdi’s early masterpiece, “Attila”. The subject deals with the real life Attila, leader of the Huns, who became a serious threat to the Roman Empire in the 5^th century. In 451, he attacked Gaul, and the following year he boldly invaded Italy, destroying the northern provinces in his path and getting uncomfortably close to Rome.…

One of the thrilling parts in my operatic journey is experiencing for myself a phenomenon that I have either read or been told about. Hearing how a composer’s music impacted an individual, or the way that a revered artist created an unforgettable effect, I find myself quietly hoping that these stories will one day become my own.…

This season, the Des Moines Metro Opera presents Francis Poulenc’s opera “Dialogues des Carmelites”. Though the opera has been hailed as one of the few true operatic masterpieces of the 20^th century, it is not staged as often as expected.…

Tulsa Opera’s first production of Norma premiered on Saturday, April 30^th, and continued for two more presentations on Friday May 6^th and Sunday May 8^th. Having attended the last two performances of the run, I can say that the company can pride itself in having assembled one of the most satisfying Norma casts that I have heard in the past fifteen years.…

Vincenzo Bellini’s Norma, the crown jewel of Bel Canto operas, premiered at the Teatro alla Scala in Milan on December 28, 1831 to an unenthusiastic reception. Following the path of other famous opening night fiascos (Rossini’s Il Barbiere di Sivilglia, Puccini’s Madama Butterfly and Verdi’s La Traviata come to mind,) the opera’s importance was recognized after its second performance, and the story of the Druid Priestess who falls in love with the enemy quickly established itself as part of the international repertoire.…

The Atlanta Opera’s presentation of Mozart’s Cosi fan tutte was heard for the first time this season last Saturday at the Cobb Energy Center. With a cast composed of primarily young artists, most making their Atlanta Opera debuts, the performance was well attended and enthusiastically received by the audience. …

In the program notes introducing his new production of Mozart’s Cosi fan tutte for the Dresden State Opera in 1983, producer Joachim Herz made this striking statement: “First things first: Cosi fan tutte does not take place today. It is a period piece from the past, and it reflects, in the most delightful way possible, an epidemic of the time: sentimentalism”.…